Virtual Paintout: Czech Republic

Here is yet another submission to the monthly challenge for The Virtual Paintout: a street scene in Prague. I picked this shot as an exercise to try and capture a sense of glass and reflection; but I am also drawn to the electric tram buses which typify the vibrancy of the European cityscape.
Reference here

VP Challenge: Mexico City

Finally...a Virtual Paintout entry finished before the last day of the month. Having more time because of the Christmas holiday, I was able to work on this longer than usual; and I also was able to 'borrow' my wife's set of pastel, water-soluble pencils-which I really like-to compliment my watercolor pencils. They allow for a certain opacity that is hard to get from pencils alone.
Finding this hillside neighborhood makes me want to visit it in person.
Reference link here.
Happy Holidays and thanks to Bill Guffey for the interesting and challenging idea of The Virtual Paintout.

VP Location: Nova Scotia

Another quick last-minute sketch for the Virtual Paintout: Nova Scotia, Canada. A street view of the smoke stacks of a power plant outside Halifax...like a trio of coral snakes standing unnaturally in stiff vigilance. Reference link here.

Virtual Paintout Challenge: Belfast, Northern Ireland

Virtual Paintout challenge sketch: Kiln Rd. Newtownabbey, Northern Ireland. This was a last-minute (10pm) submission as the monthly challenge changes over on the last day of each month...just wanted to get in that VP archive! The actual Google Maps view that acted as the basis for this color sketch is here.

This is the skeleton of another, abandoned Belfast sketch started earlier in the month:

...maybe salvageable with the help of a calmer hand, a keener sense of perspective and relational proportion, and a big eraser.

Entrance Ramp to R. Infante Santo, Lisbon Portugal

Continuing with the Virtual Paintout monthly challenges, this stop Lisbon. I thought this unusual view might be interesting to draw since it would give me a chance to use a lot of the colors that I don't usually gravitate to. Even though I did do that, the internal jury is still out as to whether this piece is a success and/or finished.
Here is the link to the Google Map view, so you can see for yourself this colorful urban street canyon.
Where to next, Bill?

Crosswalk-Abbey Rd. London

Another sketched painting for The Virtual Paintout: London. In this view, the white building behind the trees on the left is 3 Abbey Road NW8-home of Apple Records and Abbey Rd. Studio: drawn in the fortieth year after that famous crossing. (BBC video story of the crosswalk today.)
Reference link here.

Everyday Matters Challenge #85: The Inside of a Store in Your Area

This is a favorite haunt. I managed to find one of the few remaining chairs. As the figures started to go down on the page, I felt like I recognized the guy on the left.
Sure enough, if you go back into my blog to EDM #133: Draw a Peach...I swear it's the same kid standing in line on the left.

EDM Challenge #9: Organized Chaos

This is my tool bag that I use to renovate houses, some of the contents of which change weekly. Its main function is to be a 'catch-all' for the tools, etc. that invariably 'float' around the shop and the job-site(s). I don't generally carry this around...and most of the time, it stays in my truck.

I decided to include the scan of the drawing before I colored it because, well, I liked it in its black and white state, too (and once it gets color, there is no going back!). In the finished, colored version, I used Tombow markers, Pitt pen (S, #175), graphite pencil-for the preliminary sketch, and some watercolor pencils (because I like the red better, for instance.)

EDM #165: The Front of My House

This is the front of my house from the one-lane street I live on. As you might be able to tell, it sits slightly down from the street. My wife and I designed and built it back in 2000, a life experience and result for which I am grateful on a daily basis.

I used Tombow markers, graphite pencils, and some watercolor pencils. I tried to use my trusty Pitt pens, but they wouldn't work because of the nature of the paper (architectural tissue paper) and the color pencil build-up. I think the disconcerting lack of dimension in the foliage is due to this. In hindsight, I would have done all the ink work and shadowing first, but I was experimenting with laying down colors first (after a pencil sketch). Two interesting things I learned tho' were 1) the Tombow 'blender' pen also blends the watercolor pencil marks, and 2) by using drawing tissue paper I was able to color some things (like the roof) on the backside of the paper. By doing this, the lines on the front side remained unclouded.

So...anyway, I am thinking that I might back off on the more concentrated pieces and try to just 'draw' a few of the EDM challenges without alot of complexity...and possibly more frequently. There are plenty of people whose work I admire doing exactly that...with great personal success.

EDM #127: Skyscape

When driving across the Great Plains at dusk, the domed canopy of the sky slowly engulfs you and becomes your world. You can see the beginnings and endings of rain-hundreds of miles away...and the lightning competes with the rays of the sun.